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Mp3 Ryuchi Sakamoto + Alva Noto - Glass

  • Performer: Ryuchi Sakamoto + Alva Noto
  • Album: Glass
  • Label: Noton
  • Catalog #: N-044
  • MP3: 2240 mb | FLAC: 2100 mb
  • Released: 16 Feb 2018
  • Country: Germany
  • Style: Sound Art, Ambient
  • Rating: 4.0/5
  • Votes: 620
  • Category: Electronic
Mp3 Ryuchi Sakamoto + Alva Noto - Glass




CategoryArtistTitle (Format)LabelCategoryCountryYear
N-044Alva Noto & Ryuichi Sakamoto Glass ‎(File, FLAC, Album)NotonN-044Germany2018
N-044Alva Noto & Ryuichi Sakamoto Glass ‎(File, MP3, Album, 320)NotonN-044Germany2018
N-044Alva Noto & Ryuichi Sakamoto Glass ‎(CD, Album)NotonN-044Germany2018
N-044Alva Noto & Ryuichi Sakamoto Glass ‎(LP, Album, Cle)NotonN-044Germany2018
AMIP-0127Alva Noto & Ryuichi Sakamoto Glass ‎(CD, Album)NotonAMIP-0127Japan2018


Issued in a plain card wallet with a printed Noton strip sealing the open side.



Completa la tua Collezione su Alva Noto & Ryuichi Sakamoto. English Deutsch Español Français Italiano 日本語 한국어 Português Brasil Русский. Modifica edizione principale. Alva Noto & Ryuichi Sakamoto Glass. Genere: Electronic. Your current browser isn't compatible with SoundCloud. Please download one of our supported browsers. Need help Sorry Something went wrong. Is your network connection unstable or browser outdated. Glass embraces earth, sky, construction, and the heavens. It serves as a testament not only to the performers' innovative spirit, but to their understanding of their place in the wider world, and that world's place in existence. Full Review. Both Noto and Sakamoto are seasoned vets, but, at least in my eyes, this release shows. read more. Or consider a donation 118. Listen free to Alva Noto & Ryuichi Sakamoto Glass. Alva Noto makes minimal clicking and ticking backgrounds while Sakamoto plays the piano. Recommended to all people who appreciate minimal and experimental music. View wiki. Alva Noto & Ryuichi Sakamoto released on Raster-Noton as Alva Noto Ryuichi Sakamoto is a collaboration project of the German minimal artist Carsten Nicolai also, co-owner of the Ra read more. Alva Noto and Ryuichi Sakamoto-two senior figures in experimental music-have collaborated on six albums since 2002. Glass is a recording of their live improvisation, after just one rehearsal, at the architect Philip Johnsons Glass House in Connecticut, using keyboards, mixers, glass singing bowls, crotales, and the architecture itself as an instrument. This album is one track, 36 minutes in length. The album begins with Ryuichi playing deeply reverberant harmonies on the crystal bowls, and Alva makes soft arching tones with a bow on the crotales, like miniature cymbals. Theres a video recording online. GLASS is a recording of an inspired live improvisation by Ryuichi Sakamoto and Alva Noto at the architect Philip Johnson's hallowed Glass House, in the bucolic setting of New Canaan, Connecticut. The structure's transparency and seamless continuity with nature was given another dimension by the addition of this performance, whereby the building, location and audio coalesced into one perfect, harmonious whole. Stylish, stunning and elegantly minimal, the duo's architectural sound design evokes and synergizes with the space creatively, acoustically and literally - by using the bui. Alva Noto's works with Ryuichi Sakamoto have always crossed the realms of finely abstract electronics, but never before has it been so anxious and mysterious. The building in which they performed and recorded Glass itself the titular Glass House is an instrument sheltering the clicks and glitches that permeate the room and begrudgingly join in with the vaguest of melodies, whenever such a thing does arise. The piece never wanders but doesn't allow itself to remain as it once was, for its path deviates from normality quickly and never returns to that residual one-note hum. Instead, Glass. Noto and Sakamotos musical dialogue stretches back to the beginning of the 21st century, when the duo began trading the files that ultimately became 2002s Vrioon. They most recently collaborated on the soundtrack to Alejandro G. Iñárritus The Revenant. Theres a resonant center to Noto and Sakamotos work together in which stark timbres and abstract electronics ultimately turn heart-stirring. That sense slowly arises on Glass, a site-specific performance that utilizes Johnsons building as an instrument itself. The musics drifting forms scan as ambient, but rather than imbue a sense of calm, Glass evokes an intensifying sense of unease it evolves. Sakamoto collaborated with Alva Noto an alias of Carsten Nicolai to release Vrioon, an album of Sakamoto's piano clusters treated by Nicolai's unique style of digital manipulation, involving the creation of micro-loops and minimal percussion. The two produced this work by passing the pieces back and forth until both were satisfied with the result